R&B & Soul Album Playlist

Following the lead of young Angela, the creator of a Five Year Crash Course in Music, I made a list of (take a deep breath) the 30 best R&B & Soul albums from 1952 to 1993. I hasten to add that any such list is arbitrary and leaves a lot out, but I wanted to give myself, and possibly you, a crash course in pop music history, focusing on one genre.

Again following the lead of Ang, I consulted the Rolling Stone Magazine list of the 500 greatest albums of all time. There, after eliminating all the rock, I was left with a list of about 45 albums containing many by Stevie Wonder, quite a few by James Brown, just about all that Otis Redding ever made, and some others. While I agree about Otis Redding, I only wanted to sample one album, hopefully the best, by each artist. So putting together the Rolling Stone list with the genre lists at Allmusic, I came up with my own R&B & Soul Album Playlist. I wound up with 29 artists, so to round the list off to 30 I added Wilson Pickett because I like him. (PS: I hope you click on the links above, especially the Allmusic, one which is crammed with information.)

Here is the list, in rough chronological order:

Ray Charles (genre) (Soul) (album) The Birth of Soul

Fats Domino (New Orleans/R&B) Walking to New Orleans

Etta James (R&B) At Last

Jackie Wilson (Chicago Soul) Mr. Excitement

Sam Cooke (Soul) Live at the Harlem Square Club 1963

The Drifters (Soul) Under the Boardwalk

James Brown (Soul/Funk) Live at the Apollo 1963

Smokey Robinson (Soul/Motown) Going to a GoGo

The Supremes (Soul/Motown) Where Did Our love Go?

The Temptations (Soul/Motown) The Temptin' Temptations

Aretha Franklin (Soul/Urban) I Never Loved a Man Like I Love You

Dr. John (R&B/New Orleans) GrisGris

Otis Redding (Soul/Southern) Otis Blue

Sly & the Family Stone (Funk) Fresh

Ike & Tina Turner (Funk/Soul) Proud Mary: The Best of Ike & Tina Turner

Lou Rawls (Soul/Philly) The Best of Lou Rawls

Marvin Gaye (Soul/Motown) What's Going On?

Wilson Pickett (Soul/Southern) The Exciting Wilson Pickett

Stevie Wonder (Soul/Funk/Motown) Innervisions

Al Greene (Soul) Greatest Hits

Curtis Mayfield (Chicago Soul/Funk) Superfly

Earth, Wind and Fire (Funk/Soul/Urban) Gratitude

Gladys Knight (Soul/Motown/Urban) Imagination

Michael Jackson (Motown/Urban) Off the Wall

Funkadelic (R&b/Funk) One Nation Under a Groove

Whitney Houston (R&B) Whitney Houston

Janet Jackson (R&B) Rhythm Nation 1814

Mary J. Blige (R&B/Urban) My Life

D'Angelo (Soul/Neo-Soul) Brown Sugar

Toni Braxton (Contemp. R&B) Toni Braxton

Please let me know if I've left off anyone important, or if you have an alternate album choice. It was Ang's 60s list headed by Aretha Franklin that set me off on this soulful path. I've listened to her album, but I think I'll come back to it, since I want to start at the top chronologically. I'll listen to and comment on at least some of the albums and artists, and discuss the genre definitions along the way. On to Ray Charles then.

I hope you had a nice Thanksgiving.

We interupt R&B...

...to bring you news from another part of the music world. This week the Country Music Association (CMA) passed out awards during its annual showcase which was televised on Veterans Day, November 11.

Here are this year's winners:

Entertainer of the Year: Taylor Swift (of course)

Song of the Year: "In Color" (Jamey Johnson, Lee Thomas Miller, James Otto)

Single of the Year" "I Run to You" (Lady Antebellum)

Album of the Year: Fearless (Taylor Swift)

Male Vocalist of the Year: Brad Paisley

Female Vocalist of the Year: Taylor Swift

Vocal Duo of the Year: Sugarland

Vocal Group of the Year: Lady Antebellum

Musician of the Year: Mac McAnally

New Artist of the Year: Darius Rucker

Music Video of the Year: Love Story (Taylor Swift)

Here are some You Tube links:

Taylor Swift, Love Story
Lady Antebellum, I Run to You
Jamey Johnson with Keith Urban, In Color Don't miss this one.
Sugarland, Keep You Another great performance. What a voice!
Darius Rucker on Letterman Formerly of Hootie and the Blowfish

Best Of Lists and a Jazz Offering

A Five Year Crash Course in Music

Recently, I discovered a great idea while searching for musical ideas and news on line. A young British woman named Ang (short for Angela) is compiling lists of the 52 best pop music albums of every decade starting with the 60s. She proposes to listen to one album each week and post video and written reviews when she has digested the music by listening to the album at least five times. Here is a link to her blog in the section where she explains how she selected her album candidates. You can click through to see her lists for the 60s and 70s and the reviews she has posted so far. You can also follow her on Facebook.

So far Ang has posted her 60s and 70s list. Rather than her reviews, I am most interested in her selections. I am very tempted to follow her idea and listen to all of the top albums. In fact I started the process by listening to the first selection on Ang's 60s list: Aretha Franklin's I Never Loved a Man The Way I Love You, her first album on the Atlantic label.

In hearing Aretha at her best, I got interested in the definition and evolution of R&B and Soul music, a genre that I know little about except for what everyone hears on the radio. I am toying with idea of going through Ang's selections in this genre and perhaps researching some selections of my own. In any case, you will be hearing more about Aretha Franklin and this seminal album that began her rise to become Queen of Soul and one of the biggest music stars of all time.

Jazz on a Summer's Day

Meanwhile, join us in the large meeting room on the first floor of the library for a unique experience. On Saturday, November 21 at 2:00 PM we will be showing Jazz on a Summer's Day, a day in the life of the Newport Jazz festival of 1958. This is a true work of visual and musical art which mixes scenes of an idyllic summer on the water with jazz performances from the festival. This film captures a lost America and presents classic performers like Anita O'Day and Louis Armstrong in their prime. This ends our jazz offerings for a while (Fall is for jazz), so don't miss this large screen showing.

Time for Jazz

Coming soon, on Saturday October 10 at 2:00 pm, is one of the most unique and touching music documentaries you will ever see. Although it contains some rare performance footage, it is mainly a loving tribute to the men (and women, although there are fewer of them) who made jazz.

A Great Day in Harlem , a 1994 Oscar-nominated film documents the story behind the Summer day in 1985 when freelance photographer Art Kane gathered 57 jazz greats for a group portrait. The film highlights such seminal artists as Dizzy Gillespe, Thelonious Monk, Count Basie, and Gerry Mulligan. This film captures the past, or as the film's web site describes it:

"A Great Day in Harlem captures the spirit of an era when New York City was the center of the jazz world, when music history was constantly being made, and when creativity was fostered by an intense and nurturing community of musicians and fans. It was indeed a great day when musicians met and joked with friends, family, and community residents - in one instance even blowing a few jazz riffs - on a side street in Harlem in 1958. Like the photograph it documents, A Great Day in Harlem is a vivid portrait of a unique community."

RIP Mary Travers, the heart of Peter, Paul & Mary

As a young performer, she was heartbreakingly beautiful, to me as a young girl, an icon of what grown up beauty could be. And she had a clear, strong soprano that soared above the mellow tenors of her singing partners, Peter Yarrow and Paul Stookey. She was Mary Travers, the Mary of Peter, Paul & Mary, a 60s group that had a surprising and long- lasting revival in 1978, but is now one voice less.

As Rolling Stone puts it, she was "...best known as the visual focal point of ...Peter, Paul & Mary. With her fervent stage moves and long, straight blond hair...Travers brought both powerful lungs and sex appeal to folk music."

Born in Louisville, KY, the daughter of journalists, Travers grew up in New York’s Greenwich Village, the perfect setting for an aspiring artist. She benefited from exposure to the folk music scene of the early 1960s. Influenced by the folk tunes of the Weavers, Ledbelly, and Woody Guthrie, she became a regular performer in the weekend folk sessions at Washington Square Park while still in her teens. As a member of a teen group, The Song Swappers, she performed at Carnegie Hall and recorded with folk icon Pete Seeger.

Albert Grossman, famous as the manager of Bob Dylan, introduced Travers to Peter Yarrow and later to Noel Paul Stookey, suggesting that they form a trio. After an initial reluctance-- she never pictured herself making a career of folk singing-- Travers became a founding member of Peter, Paul & Mary, which debuted at The Bitter End in Greenwich Village in 1961. The group’s debut album, Peter, Paul & Mary was a top ten seller for ten months, and their single, “If I Had a Hammer”, written by Pete Seeger, became an anthem of the civil rights movement, as did their later recording of Bob Dylan’s “Blowing in the Wind.”

The trio, whose work together was infused with social commentary, separated in 1970. Travers, by now mother to two daughters, remained active as a solo artist, recording four albums by 1974. She also remained a political and social activist, even after the end of the Vietnam War following President Nixon's resignation in 1974.

Peter, Paul, & Mary reunited in 1978 for a benefit concert that went so well they agreed to resume the trio. That year they released the album Reunion and embarked on an ambitious concert schedule that they maintained until the present day, despite Traver’s diagnosis of leukemia in 2004. The group also continued their political activism, taking on such causes as human rights in Central and South America, homelessness, and world hunger among many other issues. Mary Travers died of cancer on September 16 at the age of 72.

Sources: Rolling Stone website (linked above) and Allmusic

You Tubes

P, P & M singing John Denver's Leaving on a Jet Plane, their only number one hit single, and one of my favorite songs.

If I Had a Hammer, a protest anthem by Pete Seeger, sung by P, P & M at the Newport Folk Festival of 1963.

Blowin in the Wind, an elegant presentation.

The Brill Building

Ellie Greenwich died last week at the age of 68. I don't expect that you've heard of her; her's isn't exactly a household name. With her husband, Jeff Barry, she was a hit song writer of the early 1960s. She is most famous for such truly great girl group songs as "Da Doo Ron Ron" and "Chapel of Love". Do yourself a favor and listen to these.

But I digress. Because reading about Ellie Greenwich put me in mind of the Brill Building, an 11 story office building at 1619 Broadway in New York City. Even before the 1950s, the Brill Building was home to pop music publishers and composers who wrote for the great swing bands of the 40s. But in the late 1950s into the early 60s, the Brill Building became the venue for the hottest and most influential commercial music ever produced. This stream of music, influenced by Latin music and rhythm and blues, gave rise to such songwriters as:

Burt Bacharach and Hal David

Neil Diamond

Gerry Goffen and Carole King

Jerry Leiber and Mike Stoller

Barry Mann and Cynthia Weil

Laura Nyro

Paul Simon (under the name Jerry Landis)

Neil Sedaka and Howard Greenfield

Phil Spector

Among the hundreds of hits produced by these and other composers are Yakety Yak, Save the Last Dance For Me, The Look of Love, Calendar Girl, The Loco-Motion, We Gotta Get Out of This Place, River Deep Mountain High, Be My Baby, and Natural Woman. Be My Baby, written by Greenwich and Barry, for a while was the only song that played on Beach Boy Brian Wilson's home jukebox

Carole King, quoted in Wikipedia, described the atmosphere of the Brill Building:

"Every day we squeezed into our respective cubby holes with just enough room for a piano, a bench, and maybe a chair for the lyricist if you were lucky. You'd sit there and write and you could hear someone in the next cubby hole composing a song exactly like yours. The pressure in the Brill Building was really terrific...."

Five for Fighting!

I am so lucky. Last night I caught Five for Fighting at Jammin' at the Zoo. Along with the lions and gorillas, I and about 2,000 others snuggled our chairs and blankets onto the Lincoln Park Zoo main mall and gently rocked.


Five for Fighting is the professional name of singer/songwriter John Ondrasik who performs with various back-up bands. Last night's trio of lead guitar, bass guitar, and drums was work- man- like, but Five for Fighting was in great form. He sang some of the best known tracks from America Town, Easy Tonight and Superman, and my favorite, 100 Years from Battle for Everything. (I'm 45 for a moment/The sea is high/And I'm heading into a crisis/Chasing the years of my life.)


He added NY City Weather Report, Angels and Girlfriends, The Riddle and Chances from his upcoming album Slice. There were others as well, and he ended the set with a rousing rendition of Elton John's Rocket Man, one of my all time favorite songs. What great taste.


Ondrasik is an interesting and admirable character. In one of his numbers last night he saluted those in the military and praised freedom in a song. In 2007 and 2008 he coordinated the production of mix CDs of some favorites like Billy Joel, the Fray, the Goo Goo Dolls, and Keith Urban donated by the artists. He distributed over 200,000 free copies of each CD to members of the U. S. military. He also uses his music to raise funds for several charities such as Save the Children, Autism Speaks, and ALS (Lou Gehrig's Disease). In person, he is as down to earth a rocker as you ever can see.


I wish I could say the same for Five for Fighting's opening act, Angel Taylor. Like Ondrasik, who briefly studied opera, Taylor has a beautiful and powerful voice. Both artists' voices sounded much stronger in person than they do recorded. But Taylor's set was gloomy and pretentious, featuring her piano, a simple drum, an acoustic guitar, and her unmelodic tunes. I only liked one of her tunes, Like You Do. One of her best numbers was written by someone else, Sex on Fire by the Kings of Leon. Angel is only 21 years old; she has the talent to be a fine pop singer, but not all talented performers have the songwriting ability of Five for Fighting.